February 2019: charcoal drawing

I’ve been taking a Drawing class at Mendocino College to carve out time to work on charcoal and graphite technique.

This is a tonal study in charcoal of a piece of cow skull.

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January 2019: Conversing with Jo and Holly

A small version of this 24” square is titled “Chasing the Moon.” However, the reference photograph is courtesy of my friend, Jo Adell, and the canvas came heavily pretextured, being part of a cache of used canvases worked on by the late Holly Cratty yet not part of her chosen body of work.
As the new year opens, my aim is to do a series in which rather than obliterating Holly’s marks and textures I find a way to collaborate with her.

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December 2018: Morning Sun Chases Full Moon

In late November I started a new series of paintings based on photographs of the sky as day opens or closes, This is the first one, from a reference photo taken some years ago as I stepped out into the driveway to fetch the morning newspaper.

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November 2018: Tiny "Fog Rothko" pieces

In 1997-1998 I worked on a series of 24” x 16” paintings under the heading “Pacific,” though in reality I referred to them as my Fog Rothkos. Each day on leaving the house I would look west to Ocean Beach and memorize three colors: sky, fog, water.

When I was deciding on small pieces to make for my Open Studio, the little 5” x 2.5 - 3” Claybord samples I had recalled the dimensions of the Pacific series. These are two of the tiny paintings I made. They were a lot of fun!

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October 2018: Open Studio coming up!

I’ll be doing my first Open Studio since moving to Ukiah, on Saturday November 10, from 11 AM to 4 PM. It’s very exciting. There are lots of recent paintings to show, a selection of older landscapes from around the area that many folks have not seen before, and now I’m making a batch of very small decorative pieces. It also means the carpets get cleaned, the house gets cleaned….

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September 2018: Word Chums at the Ocean Park, April 2018

This is from a “selfy” I took one evening. I was fascinated by the repeating stripe motifs, the oddness of the space and composition, and the overall feel of the photograph.
Besides being fun to paint (yes, especially the socks!) this marks a return of my interest in figure painting, an area I’ve neglected since…um….about 1992?
Acrylic on Canvas, 28” x 16”, copyright 2018.

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